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	<title>SCIENCE AND SOCIETY &#187; Computer Science</title>
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		<title>Flu Virus, Evolution, Human Genome &#8211; Dr. Steven Salzberg</title>
		<link>http://scienceandsociety.net/2009/12/15/flu-virus-evolution-human-genome-dr-steven-salzberg/</link>
		<comments>http://scienceandsociety.net/2009/12/15/flu-virus-evolution-human-genome-dr-steven-salzberg/#comments</comments>
		<pubDate>Tue, 15 Dec 2009 18:18:58 +0000</pubDate>
		<dc:creator>David Lemberg</dc:creator>
				<category><![CDATA[Computer Science]]></category>
		<category><![CDATA[Evolution]]></category>
		<category><![CDATA[Infectious Diseases]]></category>

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Dr. Steven Salzberg is Director of the Center for Bioinformatics and Computational Biology and Horvitz Professor of Computer Science at the University of Maryland.
Dr. Salzberg was part of the team that published the human genome in 2001, and has participated in the sequencing of genomes from a long list [...]]]></description>
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<p><a href="http://cbcb.umd.edu/~salzberg/">Dr. Steven Salzberg</a> is Director of the <a href="http://cbcb.umd.edu/">Center for Bioinformatics and Computational Biology</a> and Horvitz Professor of Computer Science at the University of Maryland.</p>
<p>Dr. Salzberg was part of the team that published the human genome in 2001, and has participated in the sequencing of genomes from a long list of human pathogens, including the microbes responsible for anthrax, Lyme disease, tuberculosis, and malaria.</p>
<p>In 2004, Dr. Salzberg was one of the founders of the Influenza Genome Sequencing Project, which has sequenced thousands of isolates of the influenza virus, in an effort to help design better vaccines and to better understand the nature of influenza pandemics.</p>
<p>In our wide-ranging interview on 1-4-06, Dr. Salzberg discusses</p>
<ul>
<li>Genome assembly and genome sequencing</li>
<li>Evolution and the flu virus</li>
<li>Influenza pandemics</li>
<li>Open source software for the biological sciences</li>
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		<title>Creating Music with Human-Computer Interactions</title>
		<link>http://scienceandsociety.net/2009/09/04/creating-music-with-human-computer-interactions/</link>
		<comments>http://scienceandsociety.net/2009/09/04/creating-music-with-human-computer-interactions/#comments</comments>
		<pubDate>Fri, 04 Sep 2009 20:48:45 +0000</pubDate>
		<dc:creator>David Lemberg</dc:creator>
				<category><![CDATA[Computer Science]]></category>
		<category><![CDATA[Mathematics]]></category>
		<category><![CDATA[Robotics and AI]]></category>

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		<description><![CDATA[Click the icon to play the podcast





Dr. Elaine Chew is an Assistant Professor in the Epstein Department of Industrial and Systems Engineering at the University of Southern California Viterbi School of Engineering, where she is also a key investigator at the Integrated Media Systems Center. She received a B.A.S. in mathematical and computational sciences, and [...]]]></description>
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<p><a href="http://www-rcf.usc.edu/~echew/">Dr. Elaine Chew</a> is an Assistant Professor in the Epstein Department of Industrial and Systems Engineering at the <a href="http://viterbi.usc.edu/">University of Southern California Viterbi School of Engineering</a>, where she is also a key investigator at the Integrated Media Systems Center. She received a B.A.S. in mathematical and computational sciences, and music at Stanford University, and S.M. and Ph.D. degrees in Operations Research from the Massachusetts Institute of Technology. Between Cambridge and Los Angeles, she spent a year at Lehigh University as a Visiting Assistant Professor.</p>
<p>Dr. Chew’s thesis, completed under the supervision of Jeanne Bamberger, with OR co-advisor Georgia Perakis, proposed a mathematical model for tonality, the system of relations that serves as a framework for our hearing of tonal music, and computational methods for abstracting tonal structures. Her Spiral Array model and associated algorithms introduced an “interior point” approach to the problem of key finding in computational music cognition. A year after graduation, she was recruited by the University of Southern California’s Epstein Department of Industrial and Systems Engineering to forge a link between the department and the Integrated Media Systems Center.</p>
<p>At USC, Dr. Chew’s foray into mathematical modeling of music flourished and expanded to include collaborative projects in music information retrieval, distributed immersive performance, and musical expression synthesis. She also developed a course on computational methods for music perception and cognition.</p>
<p>Apart from creating computer models to analyze and manipulate music, Dr. Chew also performs frequently as an articulate proponent of post-tonal music. Her performances can be heard on NPR and WGBH’s Art of the States program.</p>
<p>In 2004, Dr. Chew was honored with an NSF Career award for her proposal on performer-centered approaches to computer-assisted music making, in which she stated that her purpose was “to establish engineering music research as a core academic discipline” and to “promote the use of computational research in music processing by humans as a basis for creating and improving human-computer interaction in computer music systems”.</p>

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